In the year before i thought i was in love

Shannon Smith Meekings


The real-media bulk-

linked our live engagement

to self-image. Backwarding

 

into comp-het situationships, makes you

pack things like that on

 

differently; the eyebrows.

The laissez faire

 

banking vigils,

 

for the girlies.There was nothing

 

for them to have-

but what

 

could be bleached-

and hung around

 

the tips of morning,

like a spanned wing

 

of mist. In the treacle

of our touch deprivation

 

we wandered for each-

other- depravity, new

future, to unground

 

something we had before had

slipped from our bodies. And love-

 

it was quite dumb really.

The vast of our cravenness-

 

thickening

 

our grip to self-

cartographed fuckery.

 

Whole people, on foot-wanting-

 

not to be the only

one of them

 

at the function

alone.

Shannon Smith Meekings is an East London born, Jamaican and English poet, who graduated from Goldsmiths University in 2022. With her first publication of five poems appearing in the 2023 Spring edition of The Poetry Review, the first edition to be curated by editor Wayne Holloway-Smith, Shannon’s work centres around heritage, queerness and explorations of self, in reflections of social class and race. With seven published poems in The Poetry Review to date, Shannon continues to develop her writing style through form, tone and point of view, in order to create engaging narratives, whereby readers can engage through a multitude of entry points. Shannon’s commentary on the subcultures of which she has been familiar throughout her life, as presented in the poems ‘Gyalist’ and ‘My mum tells me this in passing’, serve as a self imposed catalyst in the reawakening of connection to the Caribbean culture which has influenced her experience, seemingly stunted by the passing of her maternal grandmother. Untangling and reimagining these associations to ancestry, culture, tradition and race, intertwined with the narratives of her queerness and working-class English background has shaped her approach to poetry.