Ghazal

Zainab Imran


My father’s unclenching faith craters the sofa, making it hard to imagine he is my flesh.

We discuss that plane crash in the Andes. He doesn’t outrightly say he would eat my flesh.

 

That time I turned my back, train hurtling through disembowelled countryside, whole bodies

of water submerging trees. Birds unable to land. Phone buzzing. No text or goodbye. Flesh

 

that splits open, makes space between your fingers; the unhugging of a suture, of a date to break

the fast. Ramadan brings odd dreams; raw kebabs eating themselves inward. We crucify flesh

 

that creates flesh, and the incubator that accommodates, nourishes, foreign danger. The Prophet

had visitors bring up whatever was in their stomachs. Bulimic confessions. No sin, just dry flesh.

 

When Lot’s wife ‘turned her back’ and became a grain of salt in his pupil, blocking light’s entry

beyond his body, did it sting? Was it condemnation? Did she already know the end, ‘thy flesh

 

and thy body consumed?’ We can watch planes crash. We refuse to imagine the way hell

caved over Sodom. The red disbelief at an ever-closer Mars, an unseen breaching of sky. Flesh

 

which will burn, not from sin, but from prophets, men who cannot sever pleasure from body,

from blood. Men who leave their wives, rush to any unbeing, to any voice that can defy flesh.

Zainab Imran is a poet, facilitator and museum community engagement officer based in Scotland. They are currently completing their Creative Writing PhD (University of St Andrews) on poeticising race, identity and colonialism in the history and space of the museum. Zainab has won the Royal Society of Literature Sky Arts Award as Emerging Writer of Colour for Poetry 2022, was shortlisted for the Queen Mary Wasafiri New Writing Prize in 2024, has been published in Gutter and was a part of Words a Stage 2.0 with Apples and Snakes and UNDERTOW 2024-25 with the Poetry Translation Centre.